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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

 

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Edouard Manet A Philosopher oil painting

Painting ID::  80978

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Edouard Manet
A Philosopher
Date ca. between 1864(1864) and 1867(1867) Medium Oil on canvas Dimensions 187 x 110.5 cm (73.6 x 43.5 in) cjr
   
   
     

 

 

Edouard Manet Still-life, Salmon, Pike and Shrimps oil painting

Painting ID::  81026

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Edouard Manet
Still-life, Salmon, Pike and Shrimps
Date 1864(1864) Medium Oil on canvas Dimensions 45 x 71 cm (17.7 x 28 in) cjr
   
   
     

 

 

Edouard Manet Music in the Tuileries oil painting

Painting ID::  81332

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Edouard Manet
Music in the Tuileries
Date 1862(1862) Medium Oil on canvas cjr
   
   
     

 

 

Edouard Manet Portrait of Monsieur Brun oil painting

Painting ID::  81333

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Edouard Manet
Portrait of Monsieur Brun
Date 1879(1879) Medium Oil on canvas Dimensions 192 x 104.2 cm (75.6 x 41 in) cjr
   
   
     

 

 

Edouard Manet Boy in Flowers oil painting

Painting ID::  81334

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Edouard Manet
Boy in Flowers
Date 1876(1876) Medium Oil on canvas Dimensions 60 x 97 cm (23.6 x 38.2 in) cjr
   
   
     

 

 

Edouard Manet Absinthtrinker oil painting

Painting ID::  81471

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Edouard Manet
Absinthtrinker
1859(1859) Medium Oil on canvas Dimensions Deutsch: 178 x 103 cm cyf
   
   
     

 

 

Edouard Manet Music in the Tuileries Gardens oil painting

Painting ID::  81576

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Edouard Manet
Music in the Tuileries Gardens
1862 Medium English: Oil on canvas cjr
   
   
     

 

 

Edouard Manet Portrait of Albert Wolff oil painting

Painting ID::  81841

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Edouard Manet
Portrait of Albert Wolff
Date 1877(1877) Medium Oil on canvas Dimensions 89 x 77 cm (35 x 30.3 in) cjr
   
   
     

 

 

Edouard Manet Portrait of a Man oil painting

Painting ID::  82043

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Edouard Manet
Portrait of a Man
Date 1860(1860) Medium Oil on canvas Dimensions 62 x 50 cm (24.4 x 19.7 in) cjr
   
   
     

 

 

Edouard Manet Die Verspottung Christi oil painting

Painting ID::  82048

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Edouard Manet
Die Verspottung Christi
Date ca. between 1864(1864) and 1865(1865) Medium Oil on canvas Dimensions 190.8 x 148.3 cm (75.1 x 58.4 in) cjr
   
   
     

 

 

Edouard Manet Fisching oil painting

Painting ID::  82168

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Edouard Manet
Fisching
Date 1861-63 Medium Oil on canvas Dimensions 76.8 x 123.2 cm (30.2 x 48.5 in) cjr
   
   
     

 

 

Edouard Manet Un bal a l'Opera oil painting

Painting ID::  82220

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Edouard Manet
Un bal a l'Opera
1873 Medium Oil on canvas Dimensions 59.1 x 72.5 cm (23.3 x 28.5 in) cjr
   
   
     

 

 

Edouard Manet The Bullfight oil painting

Painting ID::  82248

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Edouard Manet
The Bullfight
The Bullfight (1864) by Edouard Manet originally the upper portion of The Incident at the Bullfight Oil on Canvas, The Frick Collection Date 1864(1864) cjr
   
   
     

 

 

Edouard Manet Portrait d'Alice Lecouve dans un Fautheuil oil painting

Painting ID::  82260

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Edouard Manet
Portrait d'Alice Lecouve dans un Fautheuil
Date c. 1875 Medium English: Oil on canvas Dimensions English: 26 x 28 cm cjr
   
   
     

 

 

Edouard Manet Le bal de l'Opera oil painting

Painting ID::  82267

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Edouard Manet
Le bal de l'Opera
1873 Medium Oil on canvas Dimensions 47 x 38 cm cjr
   
   
     

 

 

Edouard Manet Bateaux en Mer, Golfe de Gascogne oil painting

Painting ID::  82534

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Edouard Manet
Bateaux en Mer, Golfe de Gascogne
Date 1873(1873) Medium Oil on canvas Dimensions 34 x 53 cm cjr
   
   
     

 

 

Edouard Manet The Battle of the Kearsarge and the Alabama oil painting

Painting ID::  82545

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Edouard Manet
The Battle of the Kearsarge and the Alabama
Date 1864(1864) Medium Oil on canvas Dimensions Deutsch: 134 x 127 cm cjr
   
   
     

 

 

Edouard Manet Jeunne Fille dans les Fleurs oil painting

Painting ID::  82549

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Edouard Manet
Jeunne Fille dans les Fleurs
1880 Medium English: oil on canvas Dimensions 113.5 x 80.5 cm cjr
   
   
     

 

 

Edouard Manet Jeune femme au livre oil painting

Painting ID::  82656

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Edouard Manet
Jeune femme au livre
1875 Medium Oil on canvas Dimensions 24.5 x 32.7 cm cjr
   
   
     

 

 

Edouard Manet Portrait de Monsieur Brun oil painting

Painting ID::  82670

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Edouard Manet
Portrait de Monsieur Brun
Date 1880(1880) Medium English: Oil on paper laid down on canvas Dimensions English: 55 x 35.5 cm cjr
   
   
     

 

       Prev    13  14  15  16  17  18  19  20  21  22     Next

 

Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.