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Oil Paintings
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Edouard Manet French Realist/Impressionist Painter, 1832-1883
The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint.
He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years.
Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene.
Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas.
Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student.
He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio.
Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife.
Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them. |
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Edouard Manet A Philosopher Date ca. between 1864(1864) and 1867(1867)
Medium Oil on canvas
Dimensions 187 x 110.5 cm (73.6 x 43.5 in)
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Edouard Manet Still-life, Salmon, Pike and Shrimps Date 1864(1864)
Medium Oil on canvas
Dimensions 45 x 71 cm (17.7 x 28 in)
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Edouard Manet Music in the Tuileries Date 1862(1862)
Medium Oil on canvas
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Edouard Manet Portrait of Monsieur Brun Date 1879(1879)
Medium Oil on canvas
Dimensions 192 x 104.2 cm (75.6 x 41 in)
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Edouard Manet Boy in Flowers Date 1876(1876)
Medium Oil on canvas
Dimensions 60 x 97 cm (23.6 x 38.2 in)
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Edouard Manet Absinthtrinker 1859(1859)
Medium Oil on canvas
Dimensions Deutsch: 178 x 103 cm
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Edouard Manet Music in the Tuileries Gardens 1862
Medium English: Oil on canvas
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Edouard Manet Portrait of Albert Wolff Date 1877(1877)
Medium Oil on canvas
Dimensions 89 x 77 cm (35 x 30.3 in)
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Edouard Manet Portrait of a Man Date 1860(1860)
Medium Oil on canvas
Dimensions 62 x 50 cm (24.4 x 19.7 in)
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Edouard Manet Die Verspottung Christi Date ca. between 1864(1864) and 1865(1865)
Medium Oil on canvas
Dimensions 190.8 x 148.3 cm (75.1 x 58.4 in)
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Edouard Manet Fisching Date 1861-63
Medium Oil on canvas
Dimensions 76.8 x 123.2 cm (30.2 x 48.5 in)
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Edouard Manet Un bal a l'Opera 1873
Medium Oil on canvas
Dimensions 59.1 x 72.5 cm (23.3 x 28.5 in)
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Edouard Manet The Bullfight The Bullfight (1864) by Edouard Manet
originally the upper portion of The Incident at the Bullfight
Oil on Canvas, The Frick Collection
Date 1864(1864)
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Edouard Manet Portrait d'Alice Lecouve dans un Fautheuil Date c. 1875
Medium English: Oil on canvas
Dimensions English: 26 x 28 cm
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Edouard Manet Le bal de l'Opera 1873
Medium Oil on canvas
Dimensions 47 x 38 cm
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Edouard Manet Bateaux en Mer, Golfe de Gascogne Date 1873(1873)
Medium Oil on canvas
Dimensions 34 x 53 cm
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Edouard Manet The Battle of the Kearsarge and the Alabama Date 1864(1864)
Medium Oil on canvas
Dimensions Deutsch: 134 x 127 cm
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Edouard Manet Jeunne Fille dans les Fleurs 1880
Medium English: oil on canvas
Dimensions 113.5 x 80.5 cm
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Edouard Manet Jeune femme au livre 1875
Medium Oil on canvas
Dimensions 24.5 x 32.7 cm
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Edouard Manet Portrait de Monsieur Brun Date 1880(1880)
Medium English: Oil on paper laid down on canvas
Dimensions English: 55 x 35.5 cm
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Edouard Manet
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French Realist/Impressionist Painter, 1832-1883
The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint.
He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years.
Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene.
Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas.
Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student.
He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio.
Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife.
Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.
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